PICTURE BOOKS

MIDDLE GRADE

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JOIN US IN EXPLORING OTHERS' CRAFT AND BUILDING OUR OWN

Erin takes us through the powerful opening scene of Martine Leavitt’s YA novel Buffalo Flats and examines how the elements of the first scene set up the entire novel–character, desire lines, themes, setting, voice, tone, humor, and more. Links: Martine Leavitt’s Buffalo Flats The Sound of Music Hadestown Six A tor Nerd term: limited omniscient […]

At KidLit Craft we look at the mechanics of how writers do what they do, so we can improve our own writing. In this series, we’re taking a deep dive into Martine Leavitt’s YA novel Buffalo Flats. Erin has called this the perfect novel, so we’re tearing it apart to see how Martine put it […]

I needed to put on my brave girl wings and write what felt right and natural to me, even though I was worried my agent and editor (and readers) might think it was weird. . . . I have always felt a deep, almost spiritual/magical connection with the natural world. I think a lot of people who spend time in nature feel it. That’s what was coming through in my writing.

“I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field.”

In January 2023, I had the pleasure of being the guest blogger for The Official SCBWI (Society of Children’s Book Writers and Illustrators) Blog. Here are links to the posts, in case you missed them.

Louise Hawes: I often spend months (sometimes years) filling a notebook with my character’s responses and thoughts before I begin writing an actual draft. That notebook is all in long-hand, as you know, and I don’t stop to edit or erase anything. My characters’ letters are in the first person, and result from a fluid, bodily connection from my heart to my hand to the page. In contrast, my draft will be typed on a laptop, the far less spontaneous product of me thinking and feeling my way into a story that features the character whose voice has already filled my notebook.

Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”

Follow your curiosity. Write and draw what you like. Know there are no set rules but it is important to understand the current book market. Picture book writing is all about how strong the concept is and then how well it is executed.

This blog grew out of a middle grade book group for writers, held in Menlo Park, California, and we’re still going strong. Each month, we discuss a middle grade book with an eye to craft. (Last year, I wrote about strategies for starting your own craft book group.) Here’s our list of books from 2021, with a sneak peek at our first few books of 2022. We hope they inspire your reading!

If you’d like a lesson in the unexpected you’d be hard-pressed to find a better model than Losers. Instead, we’re going to look at how despite (or with the assistance of) all the silly, Heider is able to put an ache and a depth into the stories of Winston and Louise.