In One Tiny Bubble, Krossing uses specific craft techniques to connect readers to the story, from direct address to apt comparisons, enabling kid readers to understand LUCA in relation to themselves and their world.
Karen Krossing shares her publishing journey–it’s been a long and fruitful one!–as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
In January 2023, I had the pleasure of being the guest blogger for The Official SCBWI (Society of Children’s Book Writers and Illustrators) Blog. Here are links to the posts, in case you missed them.
A list of the books we read in 2022 for our in-person middle grade book group for middle grade authors.
In order to get early readers on board, Tim had to draw readers in from the very first page and show them what to expect from the book. His 38-word, two-spread introduction to the book is a master establishing shot that covers not just setting, but all the elements readers need to be pulled into a story.
Tim McCanna: “Trusting your intuition has to be earned by running into a lot of roadblocks and successfully finding your way through them. That’s true for any kind of writing.”
In the spirit of Hazel’s focus on people, I want to examine how Hawes establishes such a large cast of memorable characters. In both the opening and in introducing new characters throughout the book, Hawes uses voice, descriptions, and mood to establish characters quickly.
Louise Hawes: I often spend months (sometimes years) filling a notebook with my character’s responses and thoughts before I begin writing an actual draft. That notebook is all in long-hand, as you know, and I don’t stop to edit or erase anything. My characters’ letters are in the first person, and result from a fluid, bodily connection from my heart to my hand to the page. In contrast, my draft will be typed on a laptop, the far less spontaneous product of me thinking and feeling my way into a story that features the character whose voice has already filled my notebook.
Backstory is a necessary part of telling a story, but how much to include and what to leave out can be complicated. It’s rare in books for kids to have many pages of backstory in a row (though Crenshaw by Katherine Applegate does it with style). At KidLit Craft, we’ve explored backstory in many categories and genres. Here are our favorite posts about backstory.
into YA and picture books (and even some early readers and chapter books). Today, we’re highlighting a range of picture book posts, from an overview of picture book elements to backmatter. Enjoy!