“I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field.”
interview by Erin Nuttall The thing I love most about Martha Brockenbrough’s writing is that she is unafraid. Yes, she’s imaginative, funny, thoughtful, and precise which all make her stories a joy to read, but to write bravely is a skill that few have and put Martha’s work on another plane. She slides easily between […]
“I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them.”
Karen Krossing shares her publishing journey–it’s been a long and fruitful one!–as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
I think in order to capture the essence of a person, an environment, or even an emotion, a creator must observe and try to learn all its nuances.
Skyler Schrempp: “I once read that George R. R. Martin talks about writers as “architects” or “gardeners”. Architects plan everything out before building and gardeners plant a bunch of things and see what grows well. I guess I see myself as more of a gardener than a panster! Pantser implies you’re really winging it, but I feel very intentional when I write…and it’s slow…like gardening.”
Louise Hawes: I often spend months (sometimes years) filling a notebook with my character’s responses and thoughts before I begin writing an actual draft. That notebook is all in long-hand, as you know, and I don’t stop to edit or erase anything. My characters’ letters are in the first person, and result from a fluid, bodily connection from my heart to my hand to the page. In contrast, my draft will be typed on a laptop, the far less spontaneous product of me thinking and feeling my way into a story that features the character whose voice has already filled my notebook.
Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”
Every manuscript seems to have its own distinct journey, but every story I write begins with an awful lot of daydreaming, staring into space, jotting a phrase or two onto a sticky note, and coming up with a working title.
“Studying craft is the best thing I have done for my writing. I like to write in many different genres, and each one informs the other. Reading and studying books and examining how other authors accomplish their craft has helped me tremendously.”- Stefanie Hohl