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JOIN US IN EXPLORING OTHERS' CRAFT AND BUILDING OUR OWN
We’re here today to tell you that we are going to be taking a little break over the holidays and partly that’s because there are holidays, and partly it’s to give you a chance to read Buffalo Flats if you want to, before we get to the episodes where there are spoilers.
First chapters have a really tricky job. They introduce readers to a character in their world, they set up what’s going to come after that, and the best ones have forward movement in them. It’s not just a plain description telling you the state of the world. Something’s actually happening in the first chapter. And I would put the first chapter of Buffalo Flats in this best ones category.
“I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field.”
interview by Erin Nuttall The thing I love most about Martha Brockenbrough’s writing is that she is unafraid. Yes, she’s imaginative, funny, thoughtful, and precise which all make her stories a joy to read, but to write bravely is a skill that few have and put Martha’s work on another plane. She slides easily between […]
“I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them.”
Karen Krossing shares her publishing journey–it’s been a long and fruitful one!–as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
I think in order to capture the essence of a person, an environment, or even an emotion, a creator must observe and try to learn all its nuances.
Skyler Schrempp: “I once read that George R. R. Martin talks about writers as “architects” or “gardeners”. Architects plan everything out before building and gardeners plant a bunch of things and see what grows well. I guess I see myself as more of a gardener than a panster! Pantser implies you’re really winging it, but I feel very intentional when I write…and it’s slow…like gardening.”
Louise Hawes: I often spend months (sometimes years) filling a notebook with my character’s responses and thoughts before I begin writing an actual draft. That notebook is all in long-hand, as you know, and I don’t stop to edit or erase anything. My characters’ letters are in the first person, and result from a fluid, bodily connection from my heart to my hand to the page. In contrast, my draft will be typed on a laptop, the far less spontaneous product of me thinking and feeling my way into a story that features the character whose voice has already filled my notebook.
Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”
