The story that I hadn’t been ready to tell for the first edition, became my guide for the second. The question was, where to begin? The first edition was like a locked house—I needed to find a way in, rearrange the furniture, and tear down some walls without burning the house down.
Beginnings are so important and they set us up for what’s to come. Even the first sentence creates expectations in a reader for what kind of world they’re entering, who this character is that they’ll be spending time with, and even what themes are gonna be coming up in the story; all in one sentence. And Martine’s opening to Buffalo Flats is masterful.
Nora Shalaway Carpenter’s YA novel Fault Lines is a study in contrasts. It’s the story of Viv, a high school senior who lives in rural West Virginia, and Dex, a boy in her grade who moves to town. Viv lives a middle class life; Dex is only recently out of extreme poverty. Viv is anti-fracking; Dex’s mom works on the pipeline. But Viv and Dex are drawn to each other. This dual point of view novel barrels straight toward a huge conflict between these two characters. Carpenter handles the moment of greatest conflict with deft hands. Let’s take a look at how she helps readers connect with the characters’ emotions without getting maudlin.
At KidLit Craft we look at the mechanics of how writers do what they do, so we can improve our own writing. In this series, we’re taking a deep dive into Martine Leavitt’s YA novel Buffalo Flats. Erin has called this the perfect novel, so we’re tearing it apart to see how Martine put it […]
I needed to put on my brave girl wings and write what felt right and natural to me, even though I was worried my agent and editor (and readers) might think it was weird. . . . I have always felt a deep, almost spiritual/magical connection with the natural world. I think a lot of people who spend time in nature feel it. That’s what was coming through in my writing.
The Inheritance Games features Avery Grambs, a normal girl who unexpectedly inherits 46 billion dollars. The story has key attributes that engage readers: excessive wealth, a love triangle with hottie brothers, and a twisty mystery. I knew that it was fast-paced, but what exactly did that mean?
I want to give you a sense of some things to think about as you approach writing a short story. Let’s look at Rocky Callen’s story “They Call Me Hurricane” from Ab(solutely) Normal to see how she approaches the short story form.
We were both adamant that this collection feature protagonists living with mental health conditions and be written by authors with lived mental health experiences. There are many incredible stories out there that aren’t written from lived experience, but we wanted this anthology’s mere existence to be a testament to how those living with mental health conditions can still chase dreams and lead fulfilling lives.
“I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field.”
Linda Urban’s stories are studded with angst, anguish, and hope, as well as problems, pathos, and humor. She is stellar at structuring stories so that something small, seemingly insignificant, becomes the integral to the climax and the protagonist’s understanding of the situation. In Talk Santa To Me, surprisingly, it’s a gaudy silver Christmas wreath that takes this hefty role.