Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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The challenge of depicting positive friendships in middle grade books
Three of the top sources of depression and anxiety are loneliness, feelings of isolation and a lack of connection. I also learned that increased screen time combined with separation during the pandemic made it harder for kids to know how to interact with others in person. That cemented my decision to show how friendships can hold together even when interests change.
How to Write a Big Emotional Scene: Fault Lines by Nora Shalaway Carpenter
Nora Shalaway Carpenter’s YA novel Fault Lines is a study in contrasts. It’s the story of Viv, a high school senior who lives in rural West Virginia, and Dex, a boy in her grade who moves to town. Viv lives a middle class life; Dex is only recently out of extreme poverty. Viv is anti-fracking; Dex’s mom works on the pipeline. But Viv and Dex are drawn to each other. This dual point of view novel barrels straight toward a huge conflict between these two characters. Carpenter handles the moment of greatest conflict with deft hands. Let’s take a look at how she helps readers connect with the characters’ emotions without getting maudlin.
Crafting a Story of Contrasts: A Q&A with Nora Shalaway Carpenter, author of Fault Lines
I needed to write what felt right and natural to me, even though I was worried my agent and editor (and readers) might think it was weird. . . . I have always felt a deep, almost spiritual or magical connection with the natural world. That’s what was coming through in my writing.
It’s Not Just Letters Anymore: Modern Epistolary in Carrie Firestone’s The First Rule of Climate Club
In First Rule of Climate Club, Fisher Middle School’s new eighth graders get the opportunity to participate in a science class pilot program devoted to climate change. Firestone tells their story through protagonist Mary Kate’s eyes, but uses a slew of different types of communication that creates room for other points of view.
Inspiring Activism: Interview with Carrie Firestone, author of THE FIRST RULE OF CLIMATE CLUB
“My books are all an extension of the activism and community organizing in my life. My teaching was also a reflection of that. I take on political/social realities that I would like to see in the world.” –Carrie Firestone
Crafting the Short Story: “They Call Me Hurricane” by Rocky Callen in Ab(solutely) Normal
I want to give you a sense of some things to think about as you approach writing a short story. Let’s look at Rocky Callen’s story “They Call Me Hurricane” from Ab(solutely) Normal to see how she approaches the short story form.
Breaking the 4th wall in Escargot by Dashka Slater pictures by Sydney Hanson
Dashka Slater’s text in Escargot (illustrated by Sydney Hanson) uses a number of techniques to break the fourth wall, such as posing questions to the reader and asking them to do physical actions, like turning the page or giving Escargot a kiss. All of these elements engage the reader and delight them!
Finding Inspiration in Necessity: A Q&A with Dashka Slater, author of Escargot
"I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field."
Retro Post #9: VOICE IS WHERE THE MAGIC HAPPENS: SAL AND GABI BREAK THE UNIVERSE BY CARLOS HERNANDEZ
Through a combination of humor, culture, warmth and language, Hernandez uses voice to make his characters unforgettable and his novel hard to put down.
Walking with Lennon: How to Find Inspiration and Shape a Story
Novels are amalgams. Your experiences. Your friends’ memories. Stuff you’ve read. Stuff you’ve heard about. Be open to it all. Mash up the different elements. The real secret of the secret sauce of novel-writing is that no one knows what goes into it.
Keeping Things Real: Writing Authentic Realistic Fiction for Middle Graders
But engaging middle school readers requires more than an interesting plot—the characters and their experiences must feel authentic to and reflective of the complicated world in which the readers live.
Writing for Everyone: A Q&A with Patricia Tanumihardja, author of Ramen for Everyone
"I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them."
Using a Small Thing to Big Effect: The Wreath in Linda Urban's Talk Santa to Me
Linda Urban’s stories are studded with angst, anguish, and hope, as well as problems, pathos, and humor. She is stellar at structuring stories so that something small, seemingly insignificant, becomes the integral to the climax and the protagonist’s understanding of the situation. In Talk Santa To Me, surprisingly, it’s a gaudy silver Christmas wreath that takes this hefty role.
The Writing Quest: A Q&A with Karen Krossing
Karen Krossing shares her publishing journey--it's been a long and fruitful one!--as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
NO SNOWBALL!: Dramatic Irony with a Healthy Dose of Contrast
Isabella Kung’s debut author-illustrator picture book NO FUZZBALL! is a masterclass in how to use dramatic irony to tell a laugh-out-loud comedic story using a well orchestrated combination of words and images.
Observing the World: A Q&A with Author-Illustrator Isabella Kung, the Creator of the NoFuzzball! Series
I think in order to capture the essence of a person, an environment, or even an emotion, a creator must observe and try to learn all its nuances.
Mapping Change in Character Relationships in Three Strike Summer by Skyler Schrempp
It can be argued that Skyler Schrempp’s debut novel, Three Strike Summer, is about baseball. Or poverty. Or migrants. Or summer. Or families trying their best to get by. Or unions. Or friendship. Or finding joy even in the hardships of life. And it is. It’s about all of these things, but my favorite part of the story is the story of sisters. Of Gloria and Jessamyn. Schrempp gives voice to a frustrating, loving, complicated relationship that grows, changes, and strengthens throughout the story.
Bridging the Gap Between Reader and History: A Q&A with Skyler Schrempp, author of Three Strike Summer
Skyler Schrempp: “I once read that George R. R. Martin talks about writers as “architects” or “gardeners”. Architects plan everything out before building and gardeners plant a bunch of things and see what grows well. I guess I see myself as more of a gardener than a panster! Pantser implies you’re really winging it, but I feel very intentional when I write…and it’s slow…like gardening.”
Establishing Shots: How Tim McCanna Sets Up Peach and Plum, Here We Come! for Success
In order to get early readers on board, Tim had to draw readers in from the very first page and show them what to expect from the book. His 38-word, two-spread introduction to the book is a master establishing shot that covers not just setting, but all the elements readers need to be pulled into a story.