Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Nedda Lewers: Linking Plot with Character
When it comes to leaving readers guessing, try to find the sweet spot between revealing too much (they know how it will end) and not enough (they have no idea what is going on). Your readers should feel curious but not confused. Critique partners and beta readers can help you find this balance because, unlike you, they don’t know how the story will end.
Jenn Bailey: Crafting the Ultimate Payoff
“If your climax feels a little flat, or if you aren’t feeling the emotional payoff you’ve expected, look at earlier chapters and scenes. Make sure you’ve written in the reasons that make this climax inevitable. And that you’ve positioned your main character in the kind of emotional state where this final scene will let readers feel a satisfactory resolution.”
Cindy Chang: Playing with the Past
“Writing about a lived experience, especially a difficult one, can be challenging. As much as you may want to share exactly how the events unfolded in reality, it’s okay to take some creative liberties. Ultimately it’s more about figuring out the story and focusing on communicating the wants, conflicts, and lessons learned through your lived experience. And in doing so, you may find yourself feeling a little freer from the past.”
Deborah Underwood: Writing Dynamic Dialogue
“You can communicate so much using dialogue alone. Try telling your story in dialogue only and seeing what happens. Even if that doesn’t work for the final version, it might help you to find a character’s voice or learn something new about them.”
Christine Evans: Kicking Your Story Forward
“There's no rush. Take your time to make your work the best it can be before sending it out.”
Casey W. Robinson: Writing Stories with Heart
“Find a book you loved from your childhood and re-read it. How does (or did) it make you feel? What was it about the language, the read aloud, the characters, the storyline that captivated you? I've noticed that I connect to these “old” heart stories differently than I do newer mentor texts. As writers for kids, this kind of first-hand knowledge can help our subconscious brains make smart editorial decisions when we’re drafting.”
Lea Lyon: Following Curiosity and Trying New Things
“If you're researching for a nonfiction project, search beyond library databases. Reach out to librarians and archivists. Visit locations where events from the story you're researching took place, and visit archives and libraries in the area. Above all, reach out to experts in the subject matter. They are invaluable resources and are invested in the public (especially children) knowing more about their area of expertise.”
Seina Wedlick: Deconstructing Story Structures
“Traditional publishing is often a slow process...There are occasionally books that get snapped up and released really quickly, but, more often than not, it’s a much longer wait . . . It’s so important for writers to plug into a community of other writers they can share this journey with and to use the ‘waiting period’ to work on something new or hone-in on their craft.”
Tim McCanna: Embrace Brainstorming
“Brainstorming a solid idea for a book is as much a part of the creative process as actually writing the book. Sometimes you’re struck by lightning and that can be exciting. But often it’s about putting on your thinking cap and solving the riddle of ‘What should I write next?’”
Lindsay Lackey: Welcome Ideas Out of Your Comfort Zone
“My biggest tips for authors: 1) don't be afraid! New topics and challenging themes ARE possible. And 2) Ask for help! Books are built like houses: the results are much better with the help of a few experts.”
Inspiring Activism: Interview with Carrie Firestone, author of THE FIRST RULE OF CLIMATE CLUB
“My books are all an extension of the activism and community organizing in my life. My teaching was also a reflection of that. I take on political/social realities that I would like to see in the world.” –Carrie Firestone
Walking with Lennon: How to Find Inspiration and Shape a Story
Novels are amalgams. Your experiences. Your friends’ memories. Stuff you’ve read. Stuff you’ve heard about. Be open to it all. Mash up the different elements. The real secret of the secret sauce of novel-writing is that no one knows what goes into it.
Writing for Everyone: A Q&A with Patricia Tanumihardja, author of Ramen for Everyone
"I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them."
Observing the World: A Q&A with Author-Illustrator Isabella Kung, the Creator of the NoFuzzball! Series
I think in order to capture the essence of a person, an environment, or even an emotion, a creator must observe and try to learn all its nuances.
Empathy and Irony: A Q&A with Stacey Lee
Empathy has its drawbacks, especially when reading the news, but on the plus side, I think it helps me create deeper characters. The secret for creating unforgettable characters is to give them impossible choices.
