Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Casey W. Robinson: Writing Stories with Heart
Find a book you loved from your childhood and re-read it. How does (or did) it make you feel? What was it about the language, the read aloud, the characters, the storyline that captivated you? I've noticed that I connect to these “old” heart stories differently than I do newer mentor texts. As writers for kids, this kind of first-hand knowledge can help our subconscious brains make smart editorial decisions when we’re drafting.
Erin Becker: Go For It!
“I want to write books that make people feel good. I wrote Crushing It during the pandemic, during a difficult time in my life. Writing this story was like a warm hug and a reminder that sometimes, things do turn out okay.”
Heightening Emotional Response Through the Poetic Device of a Refrain: Red, White, and Whole by Rajani LaRocca
The primary purpose of a refrain, or a recurring line throughout a poetic work (or prose for that matter), is to draw attention to something important. Used effectively, it can heighten the emotional resonance of your story and make it feel more universal, and LaRocca uses hers to great effect.
Tackling Different Styles and Genres in Children's Literature: A Q&A with Rajani LaRocca
"I’ve learned that the most important thing is to keep writing about what I love, what’s important to me, what I’m curious about. I’ve learned to put a piece of myself in every story. And I’ve learned that being vulnerable in my writing means that it will resonate with others."
The Power of a Teacher: Emmy in the Key of Code by Aimee Lucido
Adult secondary characters need to serve the story and the change and growth necessary for the main character. With teacher characters, as with other adults, you have a wide range of options--from allies to antagonists.
A Novel-In-Verse is a NOVEL first: An Interview with Aimee Lucido
"Craft study has helped me tremendously to make better books, and to hone my ear so that I know when something is working or not. I've become so much better at writing stronger characters with more compelling arcs, I can tell when my language is pitch-perfect and when it's falling flat, I can revise more quickly than ever before, I can look at comp titles when I get stuck, I can pull from a wider range of craft techniques when I'm struggling to convey something . . . the list goes on and on. Learning craft has helped me become a better writer in countless ways."
