Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Christine Evans: Kicking Your Story Forward
There's no rush. Take your time to make your work the best it can be before sending it out.
Casey W. Robinson: Writing Stories with Heart
Find a book you loved from your childhood and re-read it. How does (or did) it make you feel? What was it about the language, the read aloud, the characters, the storyline that captivated you? I've noticed that I connect to these “old” heart stories differently than I do newer mentor texts. As writers for kids, this kind of first-hand knowledge can help our subconscious brains make smart editorial decisions when we’re drafting.
Serena Gingold Allen: Success with Scenes
Even though it can be intimidating to share your work with others, particularly when you're starting out, find and join a critique group. It's important to find a good match, so keep trying out new ones if the first one you try doesn't work. I wouldn't be the writer I am today without my critique partners!
Misa Sugiura: Taking It One Scene at a Time
It is very easy to feel like what you've accomplished isn't enough.
The solution (it's not easy): Enjoy the ride you're on. Let go of the stuff that's out of your control (other author's experiences, marketing budgets, awards) and control what you can, like writing your next book.
Seina Wedlick: Deconstructing Story Structures
“Traditional publishing is often a slow process...There are occasionally books that get snapped up and released really quickly, but, more often than not, it’s a much longer wait . . . It’s so important for writers to plug into a community of other writers they can share this journey with and to use the ‘waiting period’ to work on something new or hone-in on their craft.”
Sam Subity: Keep Writing!
“The inspiration for Valor Wings came from my daughter's nightstand. One day the two books on top were Anne of Green Gables and Wings of Fire. Just for fun, I started concocting some scenes that merged the two into a story about a great granddaughter of the famous Anne who led a squadron of dragon riders in World War 2. So my working title for Valor Wings for a long time was ‘Anne of Green Dragons.’”
Thieves’ Gambit: It’s All About Theme (KLC Podcast, S2 Ep. 2)
Kristi Wright shares highlights from the latest season of the KidLit Craft podcast and its focus on theme in Thieves' Gambit by Kayvion Lewis.
Introducing Season 2 of the KidLit Craft Podcast: Thieves’ Gambit
This season, Erin Nuttall and Anne-Marie Strohman are diving deep into Kayvion Lewis’s YA novel Thieves’ Gambit.
Weaving Details and Carving Icebergs: Revising a Novel
The story that I hadn’t been ready to tell for the first edition, became my guide for the second. The question was, where to begin? The first edition was like a locked house—I needed to find a way in, rearrange the furniture, and tear down some walls without burning the house down.
Are Critique Groups Right for You? Tips From Gennifer Choldenko
I have been in critique groups on and off for most of my career. I’m here to tell you that they can be wildly helpful and bracingly unhelpful–the trick is how to make them work for you.
Finding Inspiration in Necessity: A Q&A with Dashka Slater, author of Escargot
"I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field."
Walking with Lennon: How to Find Inspiration and Shape a Story
Novels are amalgams. Your experiences. Your friends’ memories. Stuff you’ve read. Stuff you’ve heard about. Be open to it all. Mash up the different elements. The real secret of the secret sauce of novel-writing is that no one knows what goes into it.
Writing for Everyone: A Q&A with Patricia Tanumihardja, author of Ramen for Everyone
"I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them."
The Writing Quest: A Q&A with Karen Krossing
Karen Krossing shares her publishing journey--it's been a long and fruitful one!--as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
Observing the World: A Q&A with Author-Illustrator Isabella Kung, the Creator of the NoFuzzball! Series
I think in order to capture the essence of a person, an environment, or even an emotion, a creator must observe and try to learn all its nuances.
Bridging the Gap Between Reader and History: A Q&A with Skyler Schrempp, author of Three Strike Summer
Skyler Schrempp: “I once read that George R. R. Martin talks about writers as “architects” or “gardeners”. Architects plan everything out before building and gardeners plant a bunch of things and see what grows well. I guess I see myself as more of a gardener than a panster! Pantser implies you’re really winging it, but I feel very intentional when I write…and it’s slow…like gardening.”
On the Road with Louise Hawes, a Q&A
Louise Hawes: I often spend months (sometimes years) filling a notebook with my character's responses and thoughts before I begin writing an actual draft. That notebook is all in long-hand, as you know, and I don't stop to edit or erase anything. My characters' letters are in the first person, and result from a fluid, bodily connection from my heart to my hand to the page. In contrast, my draft will be typed on a laptop, the far less spontaneous product of me thinking and feeling my way into a story that features the character whose voice has already filled my notebook.
It's All About Play (and Gusto!): A Q&A with Sarah Aronson
Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”
Writing Lived Experience: A Q&A with Michael Leali
Every manuscript seems to have its own distinct journey, but every story I write begins with an awful lot of daydreaming, staring into space, jotting a phrase or two onto a sticky note, and coming up with a working title.