Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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The Power of a Teacher: Emmy in the Key of Code by Aimee Lucido
Adult secondary characters need to serve the story and the change and growth necessary for the main character. With teacher characters, as with other adults, you have a wide range of options--from allies to antagonists.
A Novel-In-Verse is a NOVEL first: An Interview with Aimee Lucido
"Craft study has helped me tremendously to make better books, and to hone my ear so that I know when something is working or not. I've become so much better at writing stronger characters with more compelling arcs, I can tell when my language is pitch-perfect and when it's falling flat, I can revise more quickly than ever before, I can look at comp titles when I get stuck, I can pull from a wider range of craft techniques when I'm struggling to convey something . . . the list goes on and on. Learning craft has helped me become a better writer in countless ways."
Reading List: 2020 Books
This blog emerged from a book group that meets monthly in Menlo Park, California, to discuss middle grade books with an eye to craft. We don't always create posts on the books we read, but we do have great discussions! If you're looking to expand your middle grade reading or to start your own discussion group, feel free to read along.
CRAFTING ENGAGING STORIES ABOUT TOUGH SUBJECTS: Learning from Janae Marks and Lisa Moore Ramée
These are compassionate stories that encourage readers to awaken their own inner activist. And they also model ways for kids to engage in deep conversations about topics that can be hard to talk about.
Retro Post #5: Structuring Story with Character Arc in Hello, Universe by Erin Entrada Kelly (Part 2)
In your story, consider how your character’s Lie and Fear impact the plot. And look to the Midpoint and All is Lost moments to ratchet up the stakes for your character. See how the climax resolves both the plot problem (what the character wants) and the Lie (what the character needs to change).
Letting Your Readers In on Something Your Narrator Doesn’t Know: The Lonely Heart of Maybelle Lane by Kate O’Shaughnessy
Kate O’Shaughnessy creates secondary character Tommy O'Brien in such a way that, even though the book is in Maybelle’s first person point of view, readers know things about Tommy that Maybelle doesn’t.
Interview with Kate O’Shaughnessy: Writing with Honesty and Heart
Ignore trends entirely, and write the book that truly calls to you.
Retro Post #4: The Magic of a Secret Space: Beetle Boy and Beyond
In a world where adults are constantly telling children what to do, which vegetables to eat, when to go to bed, and sometimes, what to think and feel, the idea of a secret space can be magical and captivating.
Retro Post #3: Characters to Love–and Telling Them Apart–in THE PENDERWICKS
More important than their differences and easily distinguished voices, these sisters work together as a team. And arguably, it’s this aspect of the novel that makes it so appealing. We see their cohesiveness in the initial reminiscence of the opening, but we also see it through their interactions and their family codes and practices.
All the Impossible Things: Seeding Tension Maximizes the Reading Experience
The strongest novels have main characters who not only want something but want something with serious stakes involved. In All the Impossible Things, Red’s stakes are whether she will ever have a home that truly fits.
Interview with Lindsay Lackey: Craft and Community--a Perfect Fit
I love the deep sense of wonder writers of children’s books possess, and how we all—deep down—still believe in magic. The world is so often dark and stormy, but kidlit writers relentlessly gather around the flickering candles in the darkness.
