Thieves' Gambit, Ep. 9: Overarching Pacing
The pacing of a story determines how a story feels to read, and writers get to control that pacing by placing story elements at certain moments in the book and by how they move from chapter to chapter or scene to scene. In this episode, Anne-Marie and Erin explore how Kayvion Lewis keeps the pace fast and the tension high.
Books we talk about:
Nina Lacour’s books (like We Are Okay and Watch Over Me)
Murder on the Orient Express by Agatha Christie (our blog post on how Christie keeps tension in the story)
Murder on the Orient Express film (trailer)
Erin’s percentages for overall structure and pacing:
Hook–1% pg 2 Gambit invite
Inciting Incident–10% Mom kidnapped
First Game of Gambit–13%
Intro to Thieves–14%
Romantic intro–16% pg 59
2nd Game–Museum–21%
Character Reveal–27% unwilling to leave injured player even risking gambit loss
3rd Game Train–42%
Plan Heist 3rd Game—50%
New Info–64% pg 249
Big Obstacle-70% (pg256) handcuffed to balcony
Kiss–80%
Mom’s 1st betrayal–Comes at 88%
Double Cross the Gambit–89%
Twist/ Devroe’s betrayal–94%
Mom’s 2nd betrayal–comes at 98%
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Register for our April 26 workshop, “Building a Novel with Touchstone Moments,” taught by Lindsay Lackey
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