“I create my characters’ flaws, misconceptions, and spiritual wounds around a theme or a question that interests me, and then I give them a personal conflict that directly challenges those flaws, misconceptions, and wounds. After that, it’s a matter of developing broader challenges, events, relationships, and conflicts that can revolve around the same theme.” ~ Misa Sugiura
Rita Williams-Garcia masters the crowd scene–a dinner at the midpoint of the book. In a movie, it’s easy to see the crowd and feel the energy in the room. In fiction, it’s more complicated–you need to balance the minute and individual with the group so that readers feel grounded in the environment and in the particular characters’ interactions.
Subity blends humor, action, Norse mythology, and character beautifully to make a story that’s sure to be a hit with middle grade readers.
Through a combination of humor, culture, warmth and language, Hernandez uses voice to make his characters unforgettable and his novel hard to put down.
More important than their differences and easily distinguished voices, these sisters work together as a team. And arguably, it’s this aspect of the novel that makes it so appealing. We see their cohesiveness in the initial reminiscence of the opening, but we also see it through their interactions and their family codes and practices.
craft review by Becky Levine Before I read Paul Acampora’s Confusion is Nothing New, my favorite of his books was How to Avoid Extinction. It’s now a toss-up which of the two sits at the top of my list. Confusion is Nothing New is brilliant in so many ways. For today, though, I’m going to […]
craft review by Anne-Marie Strohman The subtitle of The Penderwicks–A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy–describes both why readers love the book (all those characters!) and a huge challenge for the author (all those characters!). Arguably, the plot arc of this first installment in Jeanne Birdsall’s series is Jeffrey’s […]