Just because you have to use simple words doesn’t mean the story has to lack emotion or depth. It’s challenging, but early readers can still use all the elements of story—character, plot, setting, etc. In fact, looking to early readers as a model, writers in other categories can see how efficient storytelling can be without sacrificing emotional depth.
Schmidt uses repetition throughout Orbiting Jupiter to evoke emotions in his readers.
craft review by Anne-Marie Strohman Gary Schmidt’s Orbiting Jupiter is a sparse text–a mere 181 pages–and it sits right between middle grade and YA, with its twelve-year-old narrator, Jack, and his fourteen-year-old foster brother, Joseph, at the center of the story. In tone and feel, it’s akin to Patricia MacLachlan’s The Poet’s Dog, an incredibly […]