PICTURE BOOKS

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JOIN US IN EXPLORING OTHERS' CRAFT AND BUILDING OUR OWN

analysis by Aimee Haburjak and Kristi Wright Do a search on elements of a good picture book and you’ll quickly find a treasure trove of lists. Here’s one by agent Tracy Marchini. And another by author Margo Finke. And yet another by author Kathryn Evans. Every author, agent, and editor who works in the children’s […]

craft review by LA Biscay In the first post of Structuring Story with Character Arc in Hello, Universe, we examined some early plot elements–the hook, the inciting incident, and the key event–and how those elements are tied to Virgil’s Lie (or Belief that Must Be Changed) and Fear. The Character Arc in the early part […]

craft review by LA Biscay Whether or not Erin Entrada Kelly used a prescribed form of story structure while writing her 2018 Newberry Award winning book, Hello, Universe, I could sense solid bones during my first reading. I giggled, I teared up, I enjoyed the characters’ journeys, and since the novel is told from four […]

craft review by Laurel Holman I’ve got four completely different drafts of my current work-in-progress, a middle grade novel. I keep trying to “fix it,” and each time I embark on a new draft I come up with new solutions that take the characters and plot in wholly new directions. Even after exploring the story […]

craft review by Laurel Holman Whether on purpose (planners) or by instinct (pansters), most published novelists have produced stories that conform to a universal story structure. Breaking down a novel into its component parts can be a tremendously valuable exercise for writers still learning the craft and those who are already masters. Save the Cat, […]