Remember—the world supports the story and everything inside of it. A well-developed world feels real and accessible.
“Craft study has helped me tremendously to make better books, and to hone my ear so that I know when something is working or not. I’ve become so much better at writing stronger characters with more compelling arcs, I can tell when my language is pitch-perfect and when it’s falling flat, I can revise more quickly than ever before, I can look at comp titles when I get stuck, I can pull from a wider range of craft techniques when I’m struggling to convey something . . . the list goes on and on. Learning craft has helped me become a better writer in countless ways.”
In a world where adults are constantly telling children what to do, which vegetables to eat, when to go to bed, and sometimes, what to think and feel, the idea of a secret space can be magical and captivating.
I love the deep sense of wonder writers of children’s books possess, and how we all—deep down—still believe in magic. The world is so often dark and stormy, but kidlit writers relentlessly gather around the flickering candles in the darkness.
interview by Kristi Wright In A GOOD KIND OF TROUBLE, Lisa Moore Ramée has built a wonderful cast of characters that contribute significantly to the overall world building through their complex relationships. (See our post on the main character, Shayla.) In the interview below we asked her how she went about crafting her characters and […]
interview by Kristi Wright We are so excited to welcome Jill Diamond back to the blog! (See our first interview with Jill, and our post on world-building in the Lou Lou and Pea books.) Jill’s second book, Lou Lou and Pea and the Bicentennial Bonanza, came out in April. We wanted to look at the craft […]
craft review by Kristi Wright As a middle grade writer of contemporary fantasies and futuristic adventures, I’m always interested in honing my world-building skills. At the 2018 SCBWI LA conference, Malinda Lo discussed five foundations of world-building, which she also documented in a blog post. While these guidelines are geared toward writers of fantasy and […]
craft review by Jen Jobart In Chapter 6 of his book The Anatomy of Story, John Truby talks about building a story world that reinforces the story you’re telling. Jessica Townsend’s book Nevermoor: The Trials of Morrigan Crow is a great case study for how to do this. Nevermoor is the story of Morrigan Crow, […]
by Jen Jobart BayCon is an annual California Bay Area fantasy conference for writers, artists, and fans. I attended the conference as a writer of middle grade fantasy. I had a lot of fun and had many opportunities to talk about and learn new things in the company of other creative people. BayCon was my […]
Guest post by Colleen Riordan Middle grade readers are deeply curious about the wider world and fascinated with the creative “what if” possibilities presented by magic. They often want to understand how the magic works, in order to imagine how it might fit into their own worlds. When creating a magical world, it can be […]