Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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SUMMER RETROSPECTIVE: TAKING A PAGE OUT OF CLASSIC MYSTERIES TO KEEP TENSION ALIVE AND WELL
To find good mentor text for “tension till the bitter end,” I went directly to one of my most beloved authors—Agatha Christie. Yes, I know. She’s not a middle grade author. However, when I was in my middle grade years, I devoured her books. Surely, that counts. Plus, for a mentor text, why not go straight to the Queen of Mystery?
SUMMER RETROSPECTIVE: OPENING LINES IN JEWELL PARKER RHODES’ “TOWERS FALLING”
Jewell Parker Rhodes uses five different types of opening lines in her novel Towers Falling. Great mentor text for how to hook a reader in the beginning of a scene.
It’s All About the Set-Up: Secrets of the Sea by Evan Griffith
In Secrets of the Sea, Evan Griffith keeps the story active by providing context to explain how important her work was, providing detailed descriptions and examples to prove his points about Jeanne, and employing effective sentences at the ends of spreads that make readers want to turn the page. In each instance, he sets up expectations, context, or questions that lead readers through a delightful story.
The Secrets to a Great Non-Fiction Picture Book: Q&A with author Evan Griffith
"This isn’t specific to PB writers, but I would just say to any writer: Be kind to yourself and your drafts. Many writers, myself included, struggle with self-criticism or perfectionism, so I try to give myself this advice daily. First drafts can and should be messy. Second and third and seventh drafts, too. There is beauty in the mess. Writing is mostly re-writing. When you’re feeling discouraged, reach out to some writer friends for support. Seek community."
SUMMER RETROSPECTIVE: SPARE AND LYRICAL STORYTELLING: FULL CICADA MOON, A NOVEL IN VERSE
Verse happily sacrifices parts of the story to the reader's imagination in an effort to draw a more immediate emotional response.
SUMMER RETROSPECTIVE: RELATABLE RELATIONSHIPS IN HELLO, UNIVERSE BY ERIN ENTRADA KELLY
Erin Entrada Kelly masterfully sets up a series of relationships that require her introverted main character, Virgil, to take a stand or forever feel like a failure.
SUMMER RETROSPECTIVE: HERO’S JOURNEY ARCHETYPES IN BOOK SCAVENGER BY JENNIFER CHAMBLISS BERTMAN
By identifying archetypes in my story, I figure out how to strengthen the conflicts as I revise. In researching this blog post, I realized that I’d chosen the wrong character to be the Shadow in the novel I’m currently writing. Understanding the role of the Shadow archetype, and selecting a more appropriate character to play it, made my book’s external plot and main character’s growth path stronger.
Writing Action Beyond the Play-by-Play: Dangerous Play by Emma Kress
Emma Kress’s debut YA novel, Dangerous Play, has plenty of action and a lot of games. It’s a book about a girls’ field hockey team who uses parkour to supplement their summer training, and puts those skills to use as vigilantes against perpetrators of sexual assault. It takes place over an entire hockey season, and Kress makes smart choices about how to condense the many field hockey games so that each one serves the story, especially by manipulating pacing and creating tension.
Feminist, Funny, and Fierce: Q&A with Emma Kress, Debut YA Author of Dangerous Play
I first heard Emma read from a chapter-book-in-progress, and her voice blew me away. Emma's writing as such attention to detail, such personality, such emotional resonance. She can write funny and serious--sometimes in the same sentence. Emma's debut YA novel, DANGEROUS PLAY comes out August 3, and I'm so glad we get a peek into Emma's brain and writing process. I highly recommend both DANGEROUS PLAY and Emma herself.
SUMMER RETROSPECTIVE: CHANGING POINTS OF VIEW IN THE PENDERWICKS
Birdsall establishes a strong narrative voice for her omniscient narrator in the opening pages, and then seamlessly slips from one point of view to another without losing the reader.
Summer Retrospective: CONNECTING READER AND CHARACTER IN GHOST BY JASON REYNOLDS
Soaking up the sun and reposting some favorite craft posts, starting with Jen Jobart's analysis of Jason Reynold's GHOST through the lens of Cheryl Klein's THE MAGIC WORDS craft book.
Deepening Character Relationships Through A Shared History: The Last Shadow Warrior by Sam Subity
Subity blends humor, action, Norse mythology, and character beautifully to make a story that’s sure to be a hit with middle grade readers.
Grounding Fantasy in the Familiar: An Interview with Sam Subity
With contemporary fantasy, it doesn't take such a stretch of the imagination for the reader to follow along when you blend the familiar with the unfamiliar.
Day Job Connection: Author Susan McCormick, Doctor
Dr. Susan McCormick: Accept the unexpected. Sometimes as a doctor, a diagnosis that had eluded me would appear in the night or while I was running or in the shower. These messages from my inner brain were always right. Similarly, accept any magic that pours from your fingers while writing, or any miracles that come while your brain is on break. These ideas from nowhere are often the best.
KidLit Craft Goes to the Movies: Endowed Objects in The Mitchells vs. The Machines
The moose is meaningful to both Dad and Katie, and the movie creates additional layers of meaning through the old movies (flashbacks) and the way the moose moves from person to person. We know what the moose means, so we can imagine what the characters are feeling, and ultimately, we feel it too.
Choosing the Right Words: Emily's Idea by Christine Evans
In her picture book Emily’s Idea, Christine Evans finds that elusive balance and creates a story with specificity AND room for the illustrator to tell their part of the story.
Crafting Magic From a Small Idea: A Q&A with Christine Evans
I choose the stories (fiction or nonfiction) that give me a fluttery feeling. It’s been true of all my projects so far. When an idea takes hold, you can’t shake it off, and you just have to learn more, then that’s the idea to follow.
Six Things Your Character with a Mental Illness Wants You to Know
Many kids that experience mental illnesses start developing symptoms as young teens--just when they’re at the age to encounter Young Adult literature. Through YA novels, writers can reach readers at this critical time. Young adult books can be a balm to teens struggling with mental health, offering disability representation, much-needed hope, and comfort in knowing that they’ll come through their darkest days… if we follow a few key guidelines. These six pointers are indispensable in creating an empathetic, accurate, and hopeful book with mental health themes.
SIDEWRITING TAKEOVER: Sidewriting Challenge Roundup
The authors and contributors we interviewed had so many wonderful sidewriting challenges, we thought we'd put them all in one place. Each exercise will have a link back to the original post so you can learn more about the author and how sidewriting works for them. Enjoy!
SIDEWRITING TAKEOVER: The Finale--Create a Dream Team of Defenders to Answer Your Inner Critic
Thank you for coming along on this sidewriting journey with us. We hope you’ve found some compelling exercises AND some compelling reasons for sidewriting. Just as every writer is different, the way each writer uses sidewriting is different--as you’ve seen from our contributors.