Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
Disclaimer: Some posts include bookshop.org affiliate links. Use the links to support KidLit Craft and local bookstores, at no additional cost to you.
Browse the Blog
It's All About Play (and Gusto!): A Q&A with Sarah Aronson
Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”
In Summary: Backstory
Backstory is a necessary part of telling a story, but how much to include and what to leave out can be complicated. It's rare in books for kids to have many pages of backstory in a row (though Crenshaw by Katherine Applegate does it with style). At KidLit Craft, we've explored backstory in many categories and genres. Here are our favorite posts about backstory.
In Summary: Picture Books from Start to Finish
into YA and picture books (and even some early readers and chapter books). Today, we're highlighting a range of picture book posts, from an overview of picture book elements to backmatter. Enjoy!
In Summary: Point of View
The 4th post in our "In Summary" series, collecting our best posts on point of view. These posts detail how different authors approach point of view, and tools they use to craft each point of view effectively.
Writing Effective Parents: The Civil War of Amos Abernathy by Michael Leali
Leali pulls off the parental balancing act with aplomb and creates a mom who tries, messes up, seeks forgiveness, and tries again. It is a master class in how to create a complex parental character.
Writing Lived Experience: A Q&A with Michael Leali
Every manuscript seems to have its own distinct journey, but every story I write begins with an awful lot of daydreaming, staring into space, jotting a phrase or two onto a sticky note, and coming up with a working title.
In Summary: Emotion
Our summer series, In Summary, draws together a number of posts from are archives on specific craft topics. Today's posts offer strategies for how to capture your characters' emotions, communicate them to your readers, and make your reader feel something too.
In Summary: Setting
Place matters. A story set in Paris can be transported to Atlanta, but the story fundamentally changes because of the geography, culture, language, idioms, weather, daylight hours, experience of time, and so much more. These posts explore how to establish settings and leverage them to enhance the reading experience.
In Summary: Beginnings
This summer, we're introducing a new series called In Summary, where we collect up some of our favorite posts on different craft topics. Our first post is on BEGINNINGS. Beginnings give writers the opportunity to capture a reader's attention, to draw them into the story, to give them a sense of the tone, style, and point of view, as well as whether the character is one they want to spend time with. Beginnings can be slow or fast, voicey or reflective, action-driven or character-driven. There's no one right way to start a story. But there are more and less effective openings for each particular story. These posts will help you determine what choices you have as you write and revise your opening and prompt you to experiment. We hope you get inspired!
Playing with Romantic Tropes in YA: Love and Other Natural Disasters by Misa Sugiura
Sugiura uses a combination of tropes to effectively push the romance forward while simultaneously creating seemingly insurmountable obstacles.
Striving for Unfiltered Vulnerability: A Q&A with Misa Sugiura
"I create my characters’ flaws, misconceptions, and spiritual wounds around a theme or a question that interests me, and then I give them a personal conflict that directly challenges those flaws, misconceptions, and wounds. After that, it’s a matter of developing broader challenges, events, relationships, and conflicts that can revolve around the same theme." ~ Misa Sugiura
Making a Character's Desires Concrete
Sometimes when writing, we know what our character wants, but it’s a struggle to turn the nebulous desires into something tangible, something attainable, something concrete. Here's how.
Stories are Stories: Learning from Early Reader Cat Can Fix It! by Stefanie Hohl
Just because you have to use simple words doesn’t mean the story has to lack emotion or depth. It’s challenging, but early readers can still use all the elements of story—character, plot, setting, etc. In fact, looking to early readers as a model, writers in other categories can see how efficient storytelling can be without sacrificing emotional depth.
Writing Deep Stories with Simple Words: A Q&A with Stefanie Hohl
“Studying craft is the best thing I have done for my writing. I like to write in many different genres, and each one informs the other. Reading and studying books and examining how other authors accomplish their craft has helped me tremendously.”- Stefanie Hohl
Co-Authoring Interfaith and Intercultural Stories, with Bridget Hodder and Fawzia Gilani-Williams, authors of The Button Box
Our focus today is on co-authorship, and specifically on how two authors can write interfaith or intercultural stories together--a great way to make sure that the books our children read are based on a rich variety of authentic, lived experience.
Learning from 2022 Picture Books That Soar High with Craft
Diverse group of authors highlight craft elements in their latest books that you can integrate into your own writing or illustrating.
Crafting Characters: Building Character Relationships
In our final Crafting Characters post, we dive into character relationships. These authors share the questions they ask, the strategies they employ, and the exercises the use to develop rich character relationships.
Crafting Character: Discovering Desire
What does your character want? Desire drives a story. Yearning creates propulsion. But how to you find/create/discover your character's desire? These seven authors give us their strategies for engaging with their characters' desires in ways that make their stories richer and keep readers turning pages.
Crafting Characters: Getting to Know Your Non-Fiction Characters and By Working Outside In
It's CRAFTING CHARACTERS post number 5! Today we've got something for everyone--working from the outside in, and special tips for getting to know your non-fiction characters. Whether it's asking "what if"? or interrogating a character's economic circumstances, whether diving into research or interviewing a real live person, in this post you'll find wisdom for taking your characters--both fictional and real--to the next level.
Crafting Characters: Getting to Know Your Character Through Writing Your Story
It's our fourth installment of our CRAFTING CHARACTERS series, and today, we check in with writers who work their characters out on the page as they draft. Some of these authors do use some freewriting techniques, but usually after they've seen their character in action on the page, or during the revision process. Read on for some excellent insights!