A lot of people want to be allies, or seen as friendly and open to the idea of friendship across races, cultures and social strata. This idea of “just talk to each other” may seem like it’s wildly oversimplified, but it turns out that if you want to know someone, it really is that simple. You may be nothing like a diehard gardener or wide-eyed tween, but if you’re willing to see a potential connection between the two of you, it will be there.
Since Lee uses first-person point of view to tell her stories, it’s her main character’s voice that’s in the driver’s seat. Reading her novels is a masterclass in how to do first-person narration well. However, you can use these techniques with third-person and even with omniscient narration. It’s all about elevating your prose to do more than just tell the reader what’s happening.
Empathy has its drawbacks, especially when reading the news, but on the plus side, I think it helps me create deeper characters. The secret for creating unforgettable characters is to give them impossible choices.
Amari and the Night Brothers by B. B. Alston is an excellent mentor text for how to interweave backstory, using multiple techniques, without slowing down the story one bit.
To find good mentor text for “tension till the bitter end,” I went directly to one of my most beloved authors—Agatha Christie. Yes, I know. She’s not a middle grade author. However, when I was in my middle grade years, I devoured her books. Surely, that counts. Plus, for a mentor text, why not go straight to the Queen of Mystery?
Verse happily sacrifices parts of the story to the reader’s imagination in an effort to draw a more immediate emotional response.
Erin Entrada Kelly masterfully sets up a series of relationships that require her introverted main character, Virgil, to take a stand or forever feel like a failure.
Subity blends humor, action, Norse mythology, and character beautifully to make a story that’s sure to be a hit with middle grade readers.
With contemporary fantasy, it doesn’t take such a stretch of the imagination for the reader to follow along when you blend the familiar with the unfamiliar.
I choose the stories (fiction or nonfiction) that give me a fluttery feeling. It’s been true of all my projects so far. When an idea takes hold, you can’t shake it off, and you just have to learn more, then that’s the idea to follow.