But engaging middle school readers requires more than an interesting plot—the characters and their experiences must feel authentic to and reflective of the complicated world in which the readers live.

interview by Erin Nuttall The thing I love most about Martha Brockenbrough’s writing is that she is unafraid. Yes, she’s imaginative, funny, thoughtful, and precise which all make her stories a joy to read, but to write bravely is a skill that few have and put Martha’s work on another plane. She slides easily between […]

For me, story comes first, unbounded by requirements that might inhibit my creative process. I write my first draft, and in revision I assess if it has possible classroom connections.

Linda Urban’s stories are studded with angst, anguish, and hope, as well as problems, pathos, and humor. She is stellar at structuring stories so that something small, seemingly insignificant, becomes the integral to the climax and the protagonist’s understanding of the situation. In Talk Santa To Me, surprisingly, it’s a gaudy silver Christmas wreath that takes this hefty role.

“My feeling is that if we are true to where our particular characters are developmentally, experientially, and philosophically, and we write from that place, we can write work that will connect with readers.” –Linda Urban

Karen Krossing shares her publishing journey–it’s been a long and fruitful one!–as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.

In January 2023, I had the pleasure of being the guest blogger for The Official SCBWI (Society of Children’s Book Writers and Illustrators) Blog. Here are links to the posts, in case you missed them.

A list of the books we read in 2022 for our in-person middle grade book group for middle grade authors.

From the All is Lost moment, right before Act 3 starts, to the Climax, The Troubled Girls of Dragomir Academy has followed each beat from Save the Cat, drawing readers in and compelling them to turn the page. But even after a stellar climax, the story isn’t done. There’s the opportunity to make the ending fully satisfying. Here’s how Ursu does it.